Machine Age | Afterall: Melissa Gronlund



New Museum’s attempt to show meaningfulness of artists’ materialisation of networks / technological affect. Including:

§ New Tendencies movement in Zagreb –esp. #4, 1968–,

“The organizers of NT initially sought to consciously accompany and form the historical transition in which the computer was perceived as medium of artistic creation. They set computer generated works in relation to Constructive and Kinetic Art (1968/69) and to Concept Art (1973). The arts of the electronic media were not considered as an isolated phenomenon but rather incorporated into the history and discourse of fine-and performing arts.” (

§ The Independent Group in the UK, (

§ Experiments in Art and Technology (E.A.T.) in New York, (


§ Groupe de Recherche d’Art Visuel (GRAV) in Paris, (

§ Gruppo T in Milan ($24)

§ Group Zero in Düsseldorf (



§ Seth Price’s Film/Right (2003) (

§ mark Leckey – Made in ‘Eaven 2004 (Zero viewpoint!!)